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After a thrilling The Horla and a delucious Bel Ami, a story gnawing on the miseries of maturity was a bit uninteresting.
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Maupassant is, in my opinion, one of the best writer to depict the various faces of love and the despair that usually goes along with it. Olivier is not a character I would easily forget in his being so human and so stereotypical exactly like Anne and their story is not something special, still the book is almost unforgettable. The words used by Maupassant have the capacity to give beauty to something so trivial that's unbelievable. A must read. Da leggere assolutamente. An eerie, quiet romantic drama. A society painter falls in love with a married society woman.
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A large chunk of the novel showcases their blossoming romance, which is interesting even though there's no surprise as to what is going to happen next. We know that they are going to fall madly in love -- it's still enjoyable with climactic, heated, interesting interactions that stretch out who the characters are. The novel gets more intense as another character is added to their affair and v An eerie, quiet romantic drama. The novel gets more intense as another character is added to their affair and various other social events occur around them.
The ending isn't necessarily surprising, but I found it satisfying and interesting based on what we had already learned. The imagery increases around important parts or pauses in the action, a characteristic I love about these old-timey society novels. I was reading back through it again to journal and refresh my memory enough to write this review, and I find lots of creepy little things that take on added significance on a second read-through. Even if I didn't love this book, I appreciate what Maupassant has done. I think I would characterise this as a 18th century romance.
The gist of the tale is the ease with which the protagonist, a famous portrait painter, transfers his love to the daughter of his ageing mistress. This is conveyed more by suggestion than overt statement, but nevertheless the lament for lost youth, that of his mistress and his own colours the final section of the novel.
ISBN 13: 9782070374502
A writer of the most exquisite charm. An astute observer of the social world as it is and human nature as it plays out. This review has been hidden because it contains spoilers. To view it, click here. The latter are merely the inevitable truths concealed by the idealized fantasies we hold concerning the former. When aging countess Anne be 3. When aging countess Anne begins to recognize that her longtime lover, the painter Olivier, is starting to fall in love with her lookalike daughter even before the painter himself admits the truth to himself , she sets in motion a self-fulfilling prophesy that reveals love, youth, art, and life to be all akin to moving toward death: they are fleeting fancies that we only dream we might capture before time devours them and us.
His writing is more fluid than Flaubert, more visceral than Henry James, and not as exaggerated as Zola. That being said, he seems to excel at brief works, and this novel, like Mont Oriol , suffers from being slightly too long. The description on the back of this book tries to make you believe that the story is a deep and complex one about the capricious nature of love.
But it's really just about one man's mid-life crisis. They just didn't have a name for it in the late 's. Olivier Bertin is a celebrated painter who has been in a committed, though adulterous, relationship with the Countess de Guilleroy for over 12 years. Theirs is a settled, comfortable romance at this point; she always refers to him as "dear The description on the back of this book tries to make you believe that the story is a deep and complex one about the capricious nature of love.
Theirs is a settled, comfortable romance at this point; she always refers to him as "dear friend" but it's clear she is still passionately in love with him. But then along comes a younger, prettier face, and what follows is an old story: older man wants to recapture his youth and vitality through a relationship with a much younger woman.
Catalog Record: Fort comme la mort | HathiTrust Digital Library
Human folly at its best with tragic outcomes. I loved it. Two close third person perspectives with an omniscient narrator allows the reader to know everything they could want about these characters and their torrid situation. De Maupassant is a master storyteller. Don't read the introduction first, it is full of spoilers. A humane and compassionate portrait of love and the unrelenting march forward of life.
Fort comme la mort (eBook, ) [grylimalciute.gq]
It is very easy to sink into the reverie and final depression of Bertin as we deal with age and its consequences. I only hope I have the courage to face it head on without throwing myself under an omnibus prematurely. Psychologically insightful and at times approaching aphorism , but largely morally bankrupt. Whether this reflects the author's perspective or merely his realistic observation of the French aristocratic milieu I'm not certain. This book's synopsis promised me devastation, and while it took a while to get there, it delivered in the end.
Primo devastation, nice and painful. That's a compliment to Maupassant; with characters such as these, I didn't think I'd feel a thing. Very sensitive and deep description of the person's feelings when being in love no matter the age and circumstances. The feeling you can not control, can not hold and can not relieve from.
Fort comme la mort
The love story that leaves a sad aftertaste. A whole range of human emotions on display here as Maupassant lays bare the long standing love affair between the Artist and the Countess: Love, jealousy, mid-life crises, the attractions of youth, involuntary attractions and memories. Apr 27, Daniil Lanovyi rated it really liked it.
Here's to the irony of the title.
Ah, yes. Maupassant in all his perfection. Like Death Fort comme la Mort , the fifth novel of Guy de Maupassant, renowned for his huge oeuvre of short stories, is the reason why I retrieved John D.
So it is up to me to interpret the chapter on 19th century authors to draw my own conclusions about how the novel fits into the literary preoccupations of its era.