Book Description Open University Press.
ISBN 13: 9780335199150
New Book. Shipped from UK. Established seller since Seller Inventory CM Language: English. Brand new Book. The author argues that although culture may be 'postmodern' in terms of art, entertainment and everyday life, modernity still exists and is pervasive. The theories of Baudrillard, Beck, Castells, Giddens, Jameson, Lyotard and others are discussed and specific issues concerning architecture, theme parks, screen culture, science, technology and the environment are examined.
Topics include: Postmodern architecture and the hyperreality of DisneyHow poststructuralist theory questions modern rationality and reasonThe relations between postmodern culture, global capitalism and the technological changes brought about by electronics and computingThe network societyThe book is key reading for students on courses in cultural politics, cultural theory, popular culture and sociology.
Seller Inventory AA Seller Inventory Book Description Open University Press, Book Description Open Univ Pr, Condition: Brand New.
In Stock. This volume examines the viability of this portrait of contemporary society.
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He examines the theories of consumption and postmodernism among contemporary social theorists such as Bourdieu, Baudrillard, Lyotard and Jameson and relates these to Consumer culture and postmodernism London: Consumer Culture and Postmodernism. Login or create a profile above so that you can save clips, playlists, and searches.
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Please log in from an authenticated institution or log into your member profile to access the email feature. Building on the heritage of classical social theory, the book series examines ways in which this tradition has been reshaped by a new generation of theorists.
It will also publish theoretically informed analyses of everyday life, popular culture, and new intellectual movements. Nationalism, Globalization and Modernity edited by Mike Featherstone.
Modernity and Postmodern Culture (Issues in Cultural and Media Studies (Paperback))
No part of this publication may be reproduced, stored in a retrieval system, transmitted or utilized in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without permission in writing from the Publishers. I first became interested in consumer culture in the late s. The stimulus was the writings of members of the Frankfurt School and other proponents of Critical Theory which were featured and discussed so well in journals like Telos and New German Critique. The theories of the culture industry, reification, commodity fetishism and the instrumental rationalization of the world directed attention away from a focus on production towards consumption and processes of cultural change.
These various conceptualizations were particularly helpful to me in understanding an area which has long been under-theorized — at least in terms of attention directed at it by social and cultural theorists — the study of ageing. Despite the important theoretical problems it raises in terms of the intersection of lived time and historical time, the generational experience, the relationship of body and self, etc. The writing of critical theorists and others especially Ewen, seemed to provide a useful bridge by directing attention to the role of the media, advertising, images, the Hollywood ideal, etc.
Their approach is often presented as an elitist critique of mass culture which draws upon what are now regarded as dubious distinctions between real and pseudo individuality, and true and false needs. They are generally regarded as looking down on the debased mass culture and as having little sympathy for the integrity of the popular classes' pleasures.
The latter position has [Page viii] been strongly endorsed by the swing to postmodernism. Of interest here is the reflexive point which emerges most strongly in the chapters on postmodernism: If the study of consumption and concepts such as consumer culture manage to push their way into the mainstream of social science and cultural studies conceptual apparatus, what does this mean?
SAGE Books - Consumer Culture and Postmodernism
How is it that the study of consumption and culture — both incidentally until recently previously designated as derivative, peripheral and feminine, as against the centrality which was accorded to the more masculine sphere of production and the economy — are granted a more important place in the analysis of social relations and cultural representations?
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